supported by 15 fans who also own “Soundings for a New Piano, Interlude”
“With Julius, he was based in repetition, but here was a spirit of openness and improvisation. His scores, if they were written out that way, were often like jazz scores. He loved multiplying instruments – four pianos, ten cellos – so there was a real feeling of the presence of the instrument, not just using an instrument in some kind of equation, as a means to an end.” ~ Mary Jane Leach
Enough said. pt
supported by 13 fans who also own “Soundings for a New Piano, Interlude”
This is one of the most exciting cds I've heard in ages and I feel LUCKY to have discovered Wild Up and their recordings of Julius Eastman. Wow!! jamesaarons
Post-classical pianist Blais' first album as an ensemble composer; 500 improvised solo pieces, distilled into one collaborative vision. Bandcamp New & Notable Feb 9, 2022